2.4 Science Fiction Poetry Authors
65 major Science Fiction authors who also wrote significant Science Fiction Poetry include:(*)=deceased. 66 other significant Science Fiction Poetry authors include:
- Brian Aldiss
- Kingsley Amis (*)
- Chester Anderson (*)
- Poul & Karen Anderson
- Isaac Asimov (*)
- Greg Benford
- Michael Bishop
- James Blish (*)
- Reginald Bretnor (*)
- John Brunner
- Orson Scott Card
- Dr. Christine M. Carmichael
- Arthur C. Clarke
- Stanton A. Coblentz
- George Robert Ackworth Conquest (1917-???)
- John Creasy (1908-???)
- L. Sprague de Camp
- Gordon Dickson
- Thomas Disch
- George Alec Effinger
- Suzette H. Elgin
- Harlan Ellison
- Carol Emshwiller
- Philip Jose Farmer
- Kenneth Fearing (1902-1961) (*)
- John M. Ford
- Janet Fox
- Robert Frazier
- Esther Friesner
- Randall Garrett (*)
- Phyllis Gotlieb
- Felix C. Gottschalk
- Joe Haldeman
- Harry Harrison
- Frank Herbert (*)
- L. Ron Hubbard (*)
- John Inouye
- John Jakes (*)
- George Clayton Johnson
- Virginia Kidd
- Stephen King
- Dean Koontz
- Henry Kuttner (*)
- Geoffrey A. Landis
- Alan P. Lightman
- Alice M. Lightner
- Jeffrey G. Liss
- Robert A. W. Lowndes
- Duncan Lunan
- Bruce McAllister
- Ann McCaffrey
- Marge Piercy
- Frederik Pohl
- Jonathan Vos Post
- Fred Saberhagan
- Pamela Sargent
- Hilbert Schenck Jr.
- Lucius Shepard
- John Sladek
- Olaf Stapleton (*)
- Theodore Sturgeon (*)
- Steve Rasnic Tem
- Gene Van Troyer
- George Henry Weiss "Francis Flagg" (1898-1946) (*)
- Roger Zelazny (*)
SFWA Member and award-winning author Michael Swanwick deserves mention in any definitive study of 20th-century doggerel for his "Economics", The New York Review of Science Fiction, No.63, Nov 1993, p.20. Mr. Swanwick is "the man who found at last a rhyme, however tortured, for the word 'Orange.'" George Alec Effinger parodied the relationship between the scientific method and the psychopathology of the creative writer in his story "f(x)=(11/15/67), x=her, f(x)=/=0" , Mixed Feelings, New York: Harper & Row, 1974, p.79: "Imagination is the lifeblood of science, as research and experimentation are its nerves and sinews. The scientist as artist: no mere contradiction in terms, but a true picture of the necessary role of the creative spark in the pageant of technological development. At Science Seminary in Iowa, we were trained in the many techniques used by the other schools, particularly the liberal arts branches. We read by candlelight. We were made to stare blankly from attic windows, our instructors walking among us to position our fingers in thoughful attitudes on our chins and cheeks. We learned to use hunger and frustration effectively. Perhaps this is the reason that today those of us who made it through the Seminary are apt to be more dependably erratic, or spontaneous, or whatever constitutes true orginality. Though (no doubt, no doubt!) we are harder to work with. Within prose Science Fiction, the appearence of a poem from a computer is almost invariably held to be a sign of severe dysfunction. Examples include HAL 9000 singing "Daisy" in 2001, Asimov's positronic robot reciting Gilbert & Sullivan when incapacitated on Mercury, Alfred Bester's murderous android in "Fondly Farenheit", H. Nearing Jr.'s "The Poetry Machine" (Fantasy & Science Fiction, Fall 1950), J. G. Ballard's "Studio 5, the Stars", and numerous examples from Stanislas Lem (especially "The First Sally (A) or Trurl's Electronic Bard" in The Cyberiad, New York: Avon, 1976). "'We are using poetry to try to tell you what happens scientifically,' Shiyai said.' 'Poetry and science. Never the twain shall meet,' Wopolsa said. 'Not in the Pluriverse we know,' Grrindah said. 'But there is a realm where they do.'" [Philip JosÄ Farmer, The Unreasoning Mask, Berkeley, 1983, p.153; also has "the alaraf drive" obliquely citing Poe]. Ben Bova, in The High Road, New York: Pocket, 1983, p.23 says: "It may seem self-serving to describe science fiction writers as poets, but in the largest sense of the word, the romantic traditions of poetry have been carried forward in our times by the writers who have pictured a brighter, saner, grander world than we live in--and these are the writers of modern science fiction." William Burroughs famously stated that "Language is a virus from outer space."
- Diane Ackerman
- Duane Ackerson
- Dick Allen
- Ivan Arguelles
- Hope Athearn
- Lee Ballentine
- Ruth Berman
- John Gregory Betancourt
- Sue C. Bever
- Bruce Boston
- David Bunch
- Jack Butler
- David Calder
- Siv Cedering
- G. O. Clark P.O. Box 72364 Davis, CA 95617 e-mail G. O. Clark Poetry and reviews published in many sci fi magazines, including Pirate Writings, StarLine, Tale of the Unanticipated, Magazine of Speculative Poetry, etc. Published in many magazines over the past 18 years, and sci fi magazines over the past 5 years. the Locus online index lists a number of his works
- Marion Cohen (American Mathematical Monthly, published poems in magazines including Space & Time)
- Michael R. Collings
- S. R. Compton
- Adam Cornford
- Keith Allen Daniels
- Andrew Darlington
- Harry Davidov
- Thomas G. Digby
- Peter Dillingham
- Sonya Dorman
- James S. Dorr
- Roger Dutcher
- Marianne Dyson
- Helen Ehrlich
- Joey Froehlich
- Terry Garey
- Albert Goldbarth
- Scott E. Green
- John Grey
- Marilyn Hacker
- Michael Hamburger
- Elissa Malcohn (Hamilton)
- Rochelle Holt
- Andrew Joron
- the late Millea Kenin
- David Kopaska-Merkel
- Lisa Lepovetsky
- David Lunde
- George MacBeth
- F. Gwynplaine MacIntyre
- Stephen Edward McDonald
- Adrianne Marcus
- Robert Randolph Medcalf, Jr.
- Susan Palwick
- Peter Payack
- Kathryn Rantala
- Wendy Rathbone
- Peter Redgrove
- Thomas A. Rentz, Jr.
- John Calvin Razmerski
- Mark Rich
- Chuck & Sue Rothman
- Wayne Allen Sallee
- Lorraine Schein
- John Oliver Simon
- Marge Simon
- Steve Sneyd
- W. Gregory Stewart
- William John Watkins
- Leilah Wendell
- t. (sic) Winter-Damon
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